Academic

The Online World of Digital Drag (2021)

✏️ Happily Ever After: A Feminist Reading of “Pretty Woman” and “Tangerine” (2021)

✏️ Slayers, Superheroes, and Serial Killers: The Changing Landscape of Teen TV from the 90s to Today (2020)

✏️ The Small Screen Genius of Ryan Murphy (2019)

Spotlight on the Arts: Kevin “Kaoz” Moore (The Column, 2015)

“For Moore, his identities as an artist and an activist “go hand-in-hand.” Moore explains, “I feel like I’m always kind of fighting for a bigger cause or championing for some people who don’t have a voice.”

Essays

I want to go to the world’s fair: Reflections on a virtual Sundance (2021)

“The closet trained many of us to reconcile parallel realities, acting out the burdensome task of dropping into a false reality, a kind of simulation wherein we were straight or cis or both.”

Purple Mountains (2021)

“Even the act of lip syncing is a magic trick, selling us an illusion to distract us from the disconnect between avatar and voice, between illusion and reality. . . Replicating a world of illusion online almost creates a double illusion that suits the art form—as if the art of drag were itself in drag, both obscured and clarified by the distance between us and the virtual “cyberspace” we share.”